Cameraman Vardges Manukyan

Fold it

"Tsal Era" national song, accompanied by Seda Tevanyan. At the "Mkhitar Sebastatsi" educational complex, singer and songwriter Seda Tevanyan's "Tevani" song ensemble has gathered children of all ages. They perform folk, national, and Komitas' songs.

Ring the bell

"Zar Zing" Komitas. At the "Mkhitar Sebastatsi" educational complex, singer and songwriter Seda Tevanyan's "Tevani" song ensemble has gathered children of all ages. They perform folk, national, and Komitas' songs.

Hayaser Hayrapetyan

Hayaser Hayrapetyan is from the village of Chartar, Artsakh. He was born in 1992, days after his father's death. After graduating from school, he entered the Fine Arts Department of Artsakh State University, and taught for many years in Chartar and several nearby art schools. He participated in the 44-day war as a volunteer. After the war, he continued to paint, while at the same time, he was transferred to the intelligence service in the "Martuni 3" military unit. On September 19, 2023, he was wounded in the head. After being in a coma for five days, he was taken to Yerevan by resuscitation vehicle. After being wounded, he had trouble speaking, even forgetting to write and read. Hayaser had intended to open a large exhibition in Artsakh, but his paintings and sculptures remained at home. Only a small statuette dedicated to his mother and two paintings with Artsakh landscapes were brought to Armenia.

Art and Audience: Bridging the Distance

Soviet censorship and medieval literature

During the Soviet period, especially in the 1930s and 1940s, Armenian medieval literature was subjected to strict censorship. Not only were the works of our medieval authors not published or were published in abbreviated form, but literary criticism also presented and interpreted them with distortions corresponding to the ruling ideology. In the program “Parallel Readings,” literary critics Hayk Hambardzumyan and Arkmenik Nikoghosyan discuss the peculiarities of the presentation of medieval literature during the Soviet years.

The musical programs of the "Kayt Cultural Center"

"Kayt Cultural Hub" is an interdisciplinary ecosystem that unites several organizations, dozens of artists and musicians, as well as hundreds of students to ensure the life cycle of Armenian culture, from preservation to development. The acquired knowledge and experience are transformed into tangible results: books, recordings and albums, films and videos, as well as public performances, handicrafts. Tatevik Shakhkulyan, Senior Researcher of the Music Department of the Institute of Arts of the National Academy of Sciences, Candidate of Arts, Conservatory Lecturer, spoke at "Artfocus" about the musical programs of the "Kayt Cultural Hub".

Yeghishe Charents' poems in a new way

The second volume of the academic edition of Yeghishe Charents' works has been published, which includes the poet's poems written between 1915 and 1931. How does this edition of poems differ from previous editions and what distinguishes Charents' poems written during this period? Literary critics Hayk Hambardzumyan and Arkmenik Nikoghosyan discuss these issues in the program "Parallel Readings".

Activities of the Markos Grigoryan Foundation

His works are presented in the Museum of Modern Art in New York, the Tate British Gallery, the British Museum, the Metropolitan Museum of Art and the Museum of Modern Art in Tehran. Painter, collector, gallerist, curator, actor, founder of the direction of earthen art in Armenian reality, whose works are sold for several hundred thousand dollars at the most popular art auctions. An artist who donated about 2,000 Iranian, Armenian, and European applied art samples to his homeland, Armenia. In "Artfocus", Anahit Margaryan talked with Michel Alaverdyan, director, curator, and art critic of the "Markos Grigoryan Foundation".

Literary 2025

The year was full of literary events, anniversaries, and new and important publications. The “Parallel Readings” program series covered almost all the important events of the literary year, presented the literary events, and presented various literary issues with thematic programs. In the last program of this year’s “Parallel Readings” program series, literary critics Hayk Hambardzumyan and Arkmenik Nikoghosyan summarize the literary 2025.

Vigen Galstyan

The exhibition “Currents of Modernism: Diaspora Armenian Art from the Iron Curtain to the Present” has opened at the National Gallery of Armenia. Presenting around 100 works by more than forty artists, the exhibition reveals the complex and often overlooked connections that formed in the mid-20th century between Soviet and Diaspora Armenian arts and artists. The exhibition’s curator, Vigen Galstyan, Head of the Exhibition Department of the National Gallery of Armenia, spoke at “Artfocus” about the exhibition and the important cultural events that took place at the National Gallery of Armenia in the past year.